Список работ Сальвадора Дали (Vhnvkt jgQkm Vgl,fg;kjg :gln)
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За свою творческую жизнь Сальвадор Дали создал более 1500 художественных произведений[1], среди которых картины, иллюстрации для книг, литографии, графические работы, скульптуры. Кроме того, художник занимался оформлением декораций и костюмов для театральных постановок, дизайном ювелирных украшений, флаконов для духов. Ниже следует список работ Сальвадора Дали, расположенных в хронологическом порядке.
1910—1919
[править | править код]Изображение | Название | Год | Коллекция | Примечание |
---|---|---|---|---|
Пейзаж близ Фигераса | 1910 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
Vilabertran[англ.] | 1913 | |||
Праздник в Фигерасе (Фиеста в Фигерасе) | 1914-16 | |||
Head of Athene | 1914 | |||
Landscape Near Ampurdan | 1914 | |||
Без названия | 1914 | |||
Без названия | 1914 | House by a Lake | ||
Dutch Interior | 1915 | Фонд Гала и Сальвадора Дали[кат.] | [1] | |
Пейзаж | 1916 | |||
Пейзаж | 1916 | |||
Без названия | 1916 | Landscape with Animals | ||
Witches and the F of Eve | 1916-18 | |||
Cadaqués | 1917-18 | |||
Crepuscular Old Man | 1917-18 | |||
View of Cadaqués with Shadow of Mount Pani | 1917 | |||
Bathers | 1918-19 | |||
Лодка | 1918 | |||
Couple Near the Fortress | 1918 | |||
Утка | 1918 | |||
Hort del Llane | 1918-19 | |||
Playa Port Alguer De La Riba, D’en Pitxot | 1918-19 | |||
Playa Port Alguer from Riba d’en Pitxot | 1918-19 | |||
Port of Cadaqués (Night) | 1918-19 | |||
Portdogué | 1918-19 | |||
Portrait of Lucia (Retrato de Lucia) | 1918 | |||
Punta es Baluard de la Riba d’en Pitxot | 1918-19 | |||
Sea View | 1918-19 | |||
Still Life | 1918 | |||
Без названия | 1918 | |||
Vilabertrin Church Tower | 1918-19 | |||
Es Pianc | 1919 | |||
Es Poal — Pianque | 1919-20 | |||
Evening Ball at the Patio of Mariona | 1919 | |||
Landscape (Cadaqués) | 1919-20 | |||
Llané Beach, Cadaqués | 1919 | |||
My Cousin Montserrat | 1919-20 | |||
Old Man of Portdogué | 1919-20 | |||
Orchard at Llané (Cadaqués) | 1919-20 | |||
Port Dogué — Cadaqués | 1919 | |||
The Port of Cadaqués | 1919 | |||
Portrait of a Gipsy | 1919 | |||
Portrait of Hortensia, Peasant Woman of Cadaqués | 1919 | |||
Portrait of Joaquim Montaner (Allegory of a Sailor) | 1919-20 | |||
Portrait of Mr. Pancraci | 1919 | |||
Sailboat with Figure. Study for the Boat in «El Son» | 1919 | |||
Self-Portrait in the Studio | 1919 | |||
Still Life: Pomegranates | 1919 | |||
The Tartan «El Son» | 1919 | |||
The Three Pines | 1919 |
1920—1929
[править | править код]Изображение | Название | Год | Коллекция | Примечание |
---|---|---|---|---|
The Artist’s Father at Llane Beach | 1920 | |||
The Bay at Cadaqués, with Cucurucuc Rock and the Sorrell, Peninsula | 1920 | |||
Boxer | 1920 | |||
Calanque Jonculs (Cadaqués) | 1920 | |||
Сад в Льянэ | 1920-21 | |||
Grandmother Ana Sewing | 1920 | |||
The Lake at Vilabertran | 1920 | |||
Landscape (Cadaqués) | 1920 | |||
Landscape Near Cadaqués | 1920-21 | |||
Landscape Near Cadaqués | 1920-21 | |||
Moonlight Over the Bay At, Cadaqués | 1920 | |||
Mother | 1920 | |||
Portrait of the Artist’s Mother, Dofia Felipa Dome Domenech De, Dalí | 1920 | |||
Portrait of the Violoncellist Ricardo Pichot | 1920 | |||
Portrait of Jose M. Torres | 1920 | |||
Saltimbanques | 1920-21 | |||
The Sardana of the Witches | 1920 | |||
Satirical Portrait of Trotsky | 1920 | |||
Small Rocky Bay of Nans (Cadaqués) | 1920-21 | |||
Still Life | 1920 | |||
Still Life by a Window | 1920 | |||
Studies for a Self-Portrait and Portrait of My Father | 1920 | |||
Study for «My Family» | 1920 | |||
Study for Portrait of My Father | 1920 | |||
Study for a Self-Portrait | 1920 | |||
Tieta | 1920 | |||
Two Gypsy Lads | 1920-21 | |||
Two Studies for Portrait of My Father | 1920 | |||
Без названия | 1920-21 | the Artist in His Studio in Riba D’en Pitxot in Cadaqués | ||
The Vegetable Garden of Llaner | 1920 | |||
View of Cadaqués from Playa Poal | 1920 | |||
View of Portdogué (Port Aluger) | 1920 | |||
Back View of Cadaqués | 1921 | |||
Cover of «Per La Musica, Poems» | 1921 | |||
Fair of the Holy Cross — The Circus | 1921 | |||
Festival at San Sebastian | 1921 | |||
Festival in Figueras | 1921 | |||
Festival of St. Lucia At, Villamalla | 1921 | |||
Landscape Near Cadaqués | 1921 | |||
Llaner Beach in Cadaqués | 1921 | |||
Man Holding Up a Baby as Though He Were Drinking from a Bottle | 1921 | |||
Man with Porron | 1921 | |||
Moonlight at Little Llané | 1921 | |||
Motherhood | 1921 | |||
Muse of Cadaqués | 1921 | |||
Nymphs in a Romantic, Garden | 1921 | |||
The Picnic | 1921 | |||
Portrait of Grandmother Ana Sewing | 1921 | |||
Portrait of Jaume Miravidles as a Footballer | 1921-22 | |||
Portrait of My Father | 1921 | |||
Portrait Ofjaume Miravidles | 1921-22 | |||
Poster: Fieres i Festes de la Santa Creu | 1921 | |||
Romeria — Pilgrimage | 1921 | |||
Rural Scene | 1921 | |||
A Seated Man and a Dancing Couple | 1921 | |||
Автопортрет | 1921 | |||
Автопортрет | 1921 | |||
Автопортрет | 1921 | |||
Self-portrait (Figueres) | 1921 | |||
Self-portrait with the Neck of Raphael | 1921 | |||
Still Life for the Cover of «Per La, Musica, Poems» | 1921 | |||
Title Page of the Magazine 'Empordá Federal' and Title Design for «Biografia d’en Pep Ventura» | 1921 | |||
Voyeur | 1921 | |||
Young Girls in a Garden | 1921 | |||
Brothels | 1922 | |||
Cabaret Scene | 1922 | |||
Cadaqués | 1922 | |||
Cubist Composition (Shapes) | 1922 | |||
Cubist Composition — Still Life with Guitar | 1922 | |||
Drinker | 1922 | |||
Female Figure with Head in Arms | 1922 | |||
The First Days of Spring | 1922-23 | |||
Fishermen at Cadaqués | 1922 | |||
Fishing Folk at Cadaqués | 1922 | |||
Horse | 1922 | |||
Jug | 1922-23 | |||
Landscape — Cadaqués | 1922 | |||
The Lane to Port Lligat with the View of Cape Creus | 1922-23 | |||
Madrid, Architecture and Poplars | 1922 | |||
Portdogué and Mount Pani from Ayuntamiento | 1922 | |||
Seated Woman | 1922 | |||
Автопортрет | 1922 | |||
Натюрморт | 1922 | |||
Натюрморт | 1922 | |||
Натюрморт | 1922 | |||
Still Life (Pulpo y scorpa) | 1922 | |||
Still Life — Fish | 1922 | |||
Still Life with Aubergines | 1922 | |||
Still Life with Glass | 1922 | |||
Study of a Foot | 1922 | |||
Summer Night | 1922 | |||
Без названия | 1922-23 | Landscape Near Madrid | ||
Без названия | 1922 | Scene in a Cabaret in Madrid | ||
Villa Pepita | 1922 | |||
All Shapes Derive from the Square | 1923 | |||
Barracks (Cadaqués) | 1923 | |||
Bathers of La Costa Brava — Bathers of Llaner | 1923 | |||
Cadaqués | 1923 | |||
Cadaqués (Seen from the Tower of Creus) | 1923 | |||
Coffee House Scene in Madrid | 1923 | |||
Crystalline Still Life | 1923 | |||
Cubist Composition — Portrait of a Seated Person Holding a Letter | 1923 | |||
Cubist Self-Portrait with «La Publicitat» | 1923 | |||
Domestic Scene | 1923 | |||
El Moli — Landscape Near Cadaqués | 1923 | |||
Figueras Gypsy | 1923 | |||
Figures in a Landscape at Ampurdan | 1923 | |||
Fried Egg on the Plate without the Plate | 1923 | |||
Grandfather Clock | 1923 | |||
Group of Young Catalan Girls | 1923 | |||
Harlequin Sitting at a Table | 1923 | |||
The Jorneta Stream | 1923 | |||
La Jorneta | 1923 | |||
Landscape Near Cadaqués | 1923 | |||
Luis Buñuel and a Toreo | 1923-24 | |||
Maternity | 1923 | |||
Nude in a Landscape | 1923 | |||
Portrait of My Cousin Ana, Maria Domenech | 1923 | |||
Portrait of My First Cousin | 1923 | |||
Portrait of My Sister (original State) | 1923-24 | |||
Reverse Side of «Study of a Nude» | 1923 | |||
Satirical Composition («The Dance» by Matisse) | 1923 | |||
Автопортрет | 1923 | |||
Self-portrait with L’Humanitie | 1923 | |||
The Sick Child (Self-portrait in Cadaqués) | 1923 | |||
Натюрморт | 1923 | |||
Натюрморт | 1923 | |||
Still Life: Fish with Red Bowl | 1923-24 | |||
Study for «Woman with a Child» | 1923 | |||
Study of a Nude | 1923 | |||
Venus and Memory of Avino | 1923-24 | |||
Woman Nursing Her Son (Mujer amamantando a su hijo) | 1923 | |||
Ana Maria | 1924 | |||
Bather | 1924 | |||
Bouquet (L’Important c’est la Rose) | 1924 | |||
Head of a Man with a Child | 1924-25 | |||
Pierrot and Guitar | 1924 | |||
Plant | 1924 | |||
Port Alguer | 1924 | |||
Portrait of Ana Maria | 1924 | |||
Портрет Луиса Буньюэля | 1924 | Центр искусств королевы Софии | ||
Portrait of Manuel de Falla | 1924-25 | |||
Portrait of a Woman | 1924 | |||
Бутылка рома с сифоном | 1924 | Центр искусств королевы Софии | ||
The Station at Figueras | 1924 | |||
Натюрморт | 1924 | |||
Натюрморт | 1924 | |||
Натюрморт | 1924 | |||
Still Life: Watermelon | 1924 | |||
Triple Portrait of García Lorca | 1924 | |||
Bay of Cadaqués | 1925 | |||
Cala Nans | 1925 | |||
Don Salvador and Ana Maria Dalí (Portrait of the Artist’s Father and Sister) | 1925 | |||
Double-sided Verso (Studio Scene) | 1925 | |||
Female Nude | 1925 | |||
Figure at a Window | 1925 | |||
Girl from the Back | 1925 | |||
Girl Reclining on a Bed (Ana-Maria Dalí) | 1925 | |||
Landscape Near Ampurdan | 1925 | |||
Landscape Near Ampurdan | 1925 | |||
Nude in the Water | 1925 | |||
Pierrot Playing the Guitar | 1925 | |||
Port Alguer | 1925 | |||
Портрет моего отца | 1925 | |||
Portrait of the Artist’s Father and Sister | 1925 | |||
Portrait of Ana Maria (Cadaqués) | 1925 | |||
Portrait of Maria Carbona | 1925 | |||
Portrait of Maria Carbona | 1925 | |||
Purist Drawing | 1925 | |||
Seated Monk | 1925 | |||
Self-portrait Dedicated to Frederico | 1925 | |||
Натюрморт | 1925 | |||
Still Life with Moonight | 1925 | |||
Study for «Venus and Sailor» | 1925 | |||
Study of Nude | 1925 | |||
Thought | 1925 | |||
Venus and a Sailor | 1925 | |||
Venus and a Sailor | 1925 | |||
Venus and a Sailor — (Homage to Salvat-Papasseit) | 1925 | |||
Venus with Cupids | 1925 | |||
Venus with Cupids (detail) | 1925 | |||
Abstract Composition | 1926 | |||
Ana Maria, Sewing | 1926 | |||
Корзина с хлебом | 1926 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
Cubist Figure (Figura cubista) | 1926 | |||
Female Nude | 1926 | |||
Femme Couchée (Nu Alongé) | 1926 | |||
Плоть на камнях (исп. Figura damunt les roques) | 1926 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
Figure on the Rocks (Penya Segats) | 1926 | |||
The Girl — Study for «The Girl of Ampurdan» | 1926 | |||
The Girl of Figueras | 1926 | |||
Girl Sewing | 1926 | |||
Girl with Curls | 1926 | |||
Girl’s Back | 1926 | |||
Homage to Erik Satie | 1926 | |||
Neo-Cubist Academy (Composition with Three Figures) | 1926 | |||
Portrait of Federico García Lorca | 1926-27 | |||
Portrait of a Girl in a Landscape (Cadaqués) | 1926 | |||
Portrait of Sefiora Abadal De’Argemi | 1926 | |||
Portrait of a Woman, (unfinished) | 1926 | |||
Rocks at Llane (Landscape near Cadaqués) | 1926 | |||
Rocks of Llané (first version) | 1926 | |||
Sailor and His Family | 1926 | |||
Self-Portrait Being Duplicated into Three | 1926-27 | |||
Still Life with Two Lemons | 1926 | |||
Study for «Girl Sewing» | 1926 | |||
Study for Girl Sewing | 1926 | |||
Study for «Ana Maria». Cover of the Catalogue for Dalí's Second Exhibition at the Dalmau Gallery in Barcelona | 1926 | |||
Study for «Blood Is Sweeter Than Honey» | 1926 | |||
Study for «Girl Sewing» | 1926 | |||
Study for «Girl Sewing» | 1926 | |||
Venus and Sailor (Girl and Sailor; Unfinished) | 1926 | |||
Woman in a Chemise, Lying, (Study for «Women Lying on the Beach») | 1926 | |||
Women Lying on the Beach | 1926 | |||
Механизм и рука | 1927 | Музей Сальвадора Дали | ||
Automatic Drawing (Без названия) | 1927 | |||
Barcelonese Mannequin | 1927 | |||
Figure Edged in Flames | 1927 | |||
Harlequin | 1927 | |||
Head | 1927 | Draft of a Double Image | ||
Head of a Woman | 1927 | |||
Мед слаще крови (этюд) | 1927 | |||
Nude Woman in an Armchair | 1927 | |||
Ocell… Peix | 1927-28 | |||
The Poet on the Beach of Ampurias — Federico Garcia Lorca | 1927 | |||
Saint Sebastian | 1927 | |||
Мелкие останки[вд] (Бесплодные усилия) | 1927-28 | Центр искусств королевы Софии | ||
The Severed Hand | 1927-28 | |||
Still Life by the Light of the Moon | 1927 | |||
Study for «Still Life by the Light of the Moon» | 1927 | |||
Без названия | 1927 | |||
Abstract Composition | 1928 | |||
Anthropomorphic Beach (first state) | 1928 | |||
Anthropomorphic Beach (fragment) | 1928 | |||
Bather | 1928 | |||
The Bather (Beigneuse) | 1928 | |||
Big Thumb | 1928 | |||
Bird | 1928 | |||
Composition | 1928 | |||
The Donkey’s Carcass | 1928 | |||
Female Nude | 1928 | |||
Feminine Nude (first State) | 1928 | |||
Fishermen in the Sun | 1928 | |||
Fishermen in Cadaqués | 1928 | |||
Moonlight | 1928 | |||
The Ram (The Spectral Cow) | 1928 | |||
Rotting Bird | 1928 | |||
Self-Portrait Dedicated to Federico Garcia Lorca | 1928 | |||
Shell | 1928 | |||
Soft Nude (Nude Watch) | 1928 | |||
The Spectral Cow | 1928 | |||
Sun | 1928 | |||
Сюрреалистическая композиция | 1928 | «Инаугуральная гусиная кожа», «Мясо праздничной курицы» | ||
Symbiotic Woman-Animal | 1928 | |||
Unsatisfied Desires | 1928 | |||
Без названия | 1928 | |||
Без названия | 1928 | |||
Без названия | 1928 | |||
Без названия (the Sea and the Fishermen) | 1928 | |||
The Wounded Bird | 1928 | |||
Accommodations of Desire | 1929 | |||
Иногда я с наслаждением плюю на портрет моей матери[вд] | 1929 | Центр Помпиду | ||
André Breton, the Great Anteater | 1929-31 | |||
The Butterfly Chase | 1929 | |||
Загадка желания[вд] | 1929 | Пинакотека современности | «Мою мать, мою мать, мою мать…» | |
Первые дни весны | 1929 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
Великий мастурбатор | 1929 | Центр искусств королевы Софии | ||
Illumined Pleasures | 1929 | |||
Imperial Monument to the Child-Woman | 1929 | |||
The Invisible Man | 1929 | |||
The Invisible Man | 1929 | |||
The Kiss — Study for the Couple Who Are Embracing in «The Great Masturbator» | 1929 | |||
Мрачная игра | 1929 | частная | ||
Man with Unhealthy Complexion Listening to the Sound of the Sea (The Two Balconies) | 1929 | |||
Phantasmagoria | 1929 | |||
Portrait of Paul Eluard | 1929 | |||
Profanation of the Host | 1929 | |||
Studies for «The Enigma of Desire» and «Memory of the Child-Woman» | 1929 | |||
Study for «the Enigma of Desire — My Mother, My Mother, My Mother» | 1929 | |||
Study for «The Great Masturbator» | 1929 | |||
Study for «The Lugubrious Game» | 1929 | |||
Study for «Invisible Sleeping Woman, Horse, Lion» and for «Paranoiac Woman-Horse» | 1929-39 |
1930—1939
[править | править код]Изображение | Название | Год | Коллекция | Примечание |
---|---|---|---|---|
Andromeda | 1930 | |||
The Average Bureaucrat | 1930 | |||
The Bleeding Roses | 1930 | |||
Chocolate | 1930 | |||
Consequences: Dalí, Gala Eluard, Valentine Hugo, André Breton | 1930 | |||
The Feeling of Becoming | 1930 | |||
The Font | 1930 | |||
The Ghost of the Evening | 1930 | |||
Gradiva (Study for «The Invisible Man») | 1930 | |||
The Great Masturbator — Frontispiece for «The Visible Woman» | 1930 | |||
The Hand | 1930 | |||
Head of Hair | 1930 | |||
Invisible Sleeping Woman | 1930 | |||
Invisible Sleeping Woman | 1930 | |||
Oedipus Complex | 1930 | |||
Paranoiac Woman-Horse | 1930 | |||
Portrait of Mr. Emilio Terry (unfinished) | 1930 | |||
Premature Ossification of a Railway Station | 1930 | |||
Pyre. Poster Design for the th Anniversary of the French Communist Party | 1930 | |||
The Red Tower (Anthropomorphic Tower) | 1930 | |||
Study for «The Dream» | 1930 | |||
Study for «Invisible Sleeping Woman, Horse, Lion» | 1930 | |||
Study for «Invisible Sleeping Woman, Horse, Lion» | 1930 | |||
Tactile Cinema | 1930-31 | |||
Без названия — Feminine Nude — Frontispiece of «La Femme Visible» | 1930 | |||
Vertigo | 1930 | |||
William Tell | 1930 | |||
Board of Demented Associations (Fireworks) | 1931 | |||
Combinations (or The Combined Dalínian Phantasms: Ants, Keys, Nails) | 1931 | |||
Diurnal Illusion: the Shadow of a Grand Piano Approaching | 1931 | |||
The Dream | 1931 | |||
Erotic Drawing | 1931 | |||
Figure Clock | 1931 | |||
Gradiva | 1931 | |||
Gradiva Finds the Anthropomorphic Ruins | 1931 | |||
Landscape | 1931 | |||
Le Spectre et le Fantome | 1931 | |||
Mme. Reese | 1931 | |||
The Old Age of William Tell | 1931 | |||
Olive | 1931 | |||
On the Seashore | 1931 | |||
Paranoiac Visage — Postcard Sent by Picasso to Dalí | 1931 | |||
Partial Hallucination. Six apparitions of Lenin on a Grand Piano | 1931 | |||
Постоянство памяти | 1931 | MoMA | ||
Portrait of Gala | 1931 | |||
Remorse or Sunken Sphinx | 1931 | |||
Shades of Night Descending | 1931 | |||
Solitude | 1931 | |||
Symbiosis of a Head of Seashells | 1931 | |||
Untided (William Tell and Gradiva) | 1931 | |||
Без названия | 1931 | |||
Без названия — Erotic Drawing | 1931 | |||
Vegetable Metamorphosis | 1931 | |||
Woman Sleeping in a Landscape | 1931 | |||
They Were There | 1931 | |||
Agnostic Symbol | 1932 | |||
Anthropomorphic Bread | 1932 | |||
Anthropomorphic Bread | 1932 | |||
Automatic Beginning of a Portrait of Gala (unfinished) | 1932 | |||
The Average Fine and Invisible Harp | 1932 | |||
Babaouo — Publicity Announcement for the Publication of the Scenario of the Film | 1932 | |||
The Birth of Liquid Desires | 1932 | |||
The Birth of Liquid Fears | 1932 | |||
Detail of «Meditation on The Harp» | 1932-34 | |||
Утренние фантазии | 1932 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
The Dream Approaches | 1932-33 | |||
Eggs on the Plate Without the Plate | 1932 | |||
Eggs on the Plate Without the Plate | 1932 | |||
Figure Study for «William Tell» | 1932 | |||
Frontispiece for «Le Revolver Ii, Cheveux Blancs» by André Breton | 1932 | |||
Gradiva | 1932 | |||
Незримый человек | 1932 | Центр искусств королевы Софии | ||
The Knight at the Tower | 1932 | |||
The Meeting of the Illusion and the Arrested Moment — Fried Eggs Presented in a Spoon | 1932 | |||
Memory of the Child-Woman | 1932 | |||
The Mysterious Sources of Harmony | 1932-33 | |||
Nostalgia of the Cannibal | 1932 | |||
Ordinary French Loaf with Two Fried Eggs Riding Without a Plate | 1932 | |||
Paranoaic Metamorphosis of Gala’s Face | 1932 | |||
Phosphene of Laporte | 1932 | |||
Portrait of the Viscountess Marie-Laure de Noailles | 1932 | |||
Portrait of Gala | 1932-33 | |||
Preliminary Study for «Portrait of Vicomtesse Marie-Laure Cle Noailles» | 1932 | |||
Studies for «Weaning of Furniture-Nutrition» | 1932-33 | |||
Study for the Nurse in «The Weaning of Furniture-Nutrition» | 1932-33 | |||
Study for «Large Painting» | 1932 | |||
Study for «Meditation on The Harp» | 1932-33 | |||
Study for «Memory of the Child-Woman» | 1932 | |||
Suez | 1932 | |||
Surrealist Architecture | 1932 | |||
Surrealist Essay | 1932 | |||
Surrealist Object Gauge of Instantaneous Memory | 1932 | |||
The True Painting of «The Isle of the Dead» by Arnold Bocklin at the Hour of the Angelus | 1932 | |||
Без названия | 1932 | |||
Без названия (Erotic Drawing) | 1932 | |||
Без названия — Cyclist with a Loaf of Bread on His Head | 1932 | |||
Без названия — Female Figure with Catalonian Bread | 1932 | |||
The Veiled Heart | 1932 | |||
William Tell, Gradiva and The Average Bureaucrat | 1932 | |||
Ambivalent Image | 1933 | |||
Apparition of My Cousin Carolineta on the Beach at Rosas | 1933 | |||
Архитектонический «Анжелюс» Милле[вд] | 1933 | Центр искусств королевы Софии | ||
Average Atmospherocepalic Bureaucrat in the Act of Milking a Cranial Harp | 1933 | |||
Bureaucrat and Sewing Machine — Illustration for «Les Chants de Maldoror» | 1933 | |||
The Bust of a Retrospective Woman | 1933 | |||
Cannibalism of Objects (inscribed: Meat Glass, Meat Aeroplane, Meat Spoon, Meat Watch, Meat Head) | 1933 | |||
Cannibalism. Illustrations for «Les Chants De Maldoror» by Lautreamont | 1933 | |||
The Enigma of William Tell | 1933 | |||
Flesh Aeroplane. Illustration for «Les Chants De Maldoror» by Lautreamont | 1933 | |||
Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses | 1933 | |||
Geological Destiny | 1933 | |||
Gradiva | 1933 | |||
Illustration for Les Chants de Maldoror by the Count of Lautreamont | 1933-34 | |||
The Judges | 1933 | |||
Knight of Death (variant) | 1933 | |||
Myself at the Age of Ten When I Was the Grasshopper Child | 1933 | |||
Necrophilic Fountain Flowing from a Grand Piano | 1933 | |||
The Phantom Cart | 1933 | |||
The Phantom Cart | 1933 | |||
The Phenomenon of Ecstasy | 1933 | |||
Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder | 1933 | |||
Reverie — Password: Mess Up, All the Slate | 1933 | |||
Soft Watches | 1933 | |||
Study for «The Enigma of William Tell» | 1933 | |||
Study for «Portrait of the Vicomtesse de Noailles» | 1933 | |||
Sugar Sphinx | 1933 | |||
Sugar Sphinx (detail) | 1933 | |||
Surrealist Figure in the Landscape of Port Lligat | 1933 | |||
Surrealist Figures, Joint Drawing by Dalí and Picasso | 1933 | |||
Surrealist Horse — Woman-Horse | 1933 | |||
The Temple of Love | 1933 | |||
The Triangular Hour | 1933 | |||
Two Faces of Gala | 1933-34 | |||
Без названия | 1933-34 | |||
Без названия | 1933 | Study for Parts of «Invisible Harp, Fine and Medium» and Parts of «Skull with Its Lyric Appendage Leaning on a Bedside, Table…» | ||
Без названия | 1933 | Death Outside the Head/Paul Eluard | ||
Aerodynamic Chair | 1934 | |||
Allegory of an American Christmas | 1934 | |||
Apparition of My Cousin Carolinetta on the Beach at Rosas | 1934 | |||
Atavism at Twilight | 1934 | |||
Atavistic Vestiges After the Rain | 1934 | |||
Atmospheric Skull Sodomizing a Grand Piano | 1934 | |||
Bust of Joella Lloyd | 1934 | |||
Cannibalism of the Praying Mantis of Lautreamont | 1934 | |||
Cardinal | 1934 | |||
Conic Anamorphosis | 1934 | |||
Consequences | 1934 | |||
Consequences: Gala Eluard, Dalí, André Breton, Valentine Hugo | 1934 | |||
Consequences: Gala Eluard, Valentine Hugo, André Breton, Dalí | 1934 | |||
Consequences: Valentine Hugo, André Breton, Gala Eluard, Dalí | 1934 | |||
Consequences: Valentine Hugo, Dalí, André Breton, Gala Eluard | 1934 | |||
Eclipse and Vegetable Osmosis | 1934 | |||
Enigmatic Elements in the Landscape | 1934 | |||
Figure — Omelettes | 1934 | |||
Figure and Drapery in a Landscape | 1934 | |||
Figure with Drawers for a Four-part Screen | 1934 | |||
Fossil Cloud | 1934 | |||
Призрак Вермера Делфтского, способный послужить и столом | 1934 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
The Ghost of Vermeer van Delft | 1934 | |||
Ghost of Vermeer Van Delft | 1934 | |||
Hairdresser Depressed by the Persistent Good Weather | 1934 | |||
Homage to Millet — for CeciIe, in Friendship | 1934 | |||
The Hour of the Crackled Visage | 1934 | |||
Hysterical and Aerodynamic, Nude — Woman on the Rock | 1934 | |||
The Invisible Harp | 1934 | |||
The Isle of the Dead — Centre, Section — Reconstructed, Compulsive Image, After Becklin | 1934 | |||
The Javanese Mannequin | 1934 | |||
The Knight of Death | 1934 | |||
The Knight of Death (Horseman) | 1934 | |||
The Little Theater | 1934 | |||
Masochistic Instrument | 1934 | |||
Meditation on the Harp | 1934 | |||
Melancholy — to Marcel Remy in Friendship, Salvador Dalí | 1934 | |||
Moment of Transition | 1934 | |||
Morning Ossification of the Cypress | 1934 | |||
Night Spectre on the Beach | 1934 | |||
Omelette About to Be Irreparably Crushed by Hands | 1934 | |||
Omelettes with Dynamic, Mixed Herbs | 1934 | |||
Paranoiac Astral Image | 1934 | |||
Persistence of Fair Weather | 1934 | |||
Portrait of Gala with a Lobster (Portrait of Gala with Aeroplane Nose) | 1934 | |||
Portrait of Rene Crevel (Dedicated to Julien Green) | 1934 | |||
Portrait of Rene Crevel (Man with a Cigarette) | 1934 | |||
Portrait of a Woman | 1934 | |||
The Sense of Speed | 1934 | |||
The Ship | 1934-35 | |||
The Signal of Anguish | 1934 | |||
Skull with Its Lyric Appendage Leaning on a Night Table which Should Have the Exact Temperature of a Cardinal’s Nest | 1934 | |||
The Specter of Sex Appeal | 1934 | |||
The Spectre of the Angelus | 1934 | |||
Study for «Cardinal, Cardinal!» | 1934 | |||
Surrealist Furniture. Preparatory Drawing for Singularities | 1934-35 | |||
Surrealist Knight for a Four-part Screen | 1934 | |||
Surrealist Knights for a Four-part Screen, Centre Right | 1934 | |||
Surrealist Poster | 1934 | |||
Surrealist Warriors for a Four-part Screen, Centre Left | 1934 | |||
Title Unknown — Ghost | 1934 | |||
The Tower | 1934 | |||
Без названия (Desert Landscape) | 1934 | |||
Без названия (Dreams on the Beach) | 1934 | |||
Без названия — Young Girl with a Skull | 1934 | |||
The Weaning of Furniture-Nutrition | 1934 | |||
West Side of the Isle of the Dead — Reconstructed Compulsive Image After Becklin | 1934 | |||
The Angelus of Gala | 1935 | |||
Археологический отголосок «Анжелюса» Милле | 1935 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
Don Quixote | 1935 | |||
Drawing for «American Weekly» | 1935 | |||
The Echo of the Vold | 1935 | |||
Exquisite Cadaver | 1935 | |||
Лицо Мэй Уэст, использованное в качестве сюрреалистической комнаты | 1935 | Чикагский институт искусств | ||
The Horseman of Death | 1935 | |||
Landscape After De Chirico (unfinished) | 1935 | |||
Mediumnistic-Paranoiac Image | 1935 | |||
The Nostalgic Echo | 1935 | |||
Nostalgic Echo | 1935 | |||
Paranoiac Visage | 1935 | |||
Paranoiac Visage — The Postcard Transformed | 1935 | |||
Paranoiac-Critical Solitude | 1935 | |||
Paranonia | 1935-36 | |||
Poster Project | 1935 | |||
Puzzle of Autumn | 1935 | |||
Soft Cramas and Skull Harp | 1935 | |||
Solitude — Anthropomorphic Echo | 1935 | |||
Study for «Premonition of Civil War» | 1935 | |||
Study for «Premonition of Civil War» | 1935 | |||
Study for «Premonition of Civil War» | 1935 | |||
Study for «Suburbs of a Paranoiac-Critical Town» | 1935 | |||
The Surrealist Mystery of New York I | 1935 | |||
Thought Machine — Illustration for «The Secret Life of Salvador Dalí» | 1935 | |||
Woman in a Hat Sitting on a Beach. Drawing for «American Weekly» | 1935 | |||
Woman with a Head of Roses | 1935 | |||
Ampurdanese Yang and Yin | 1936 | |||
Ant Face. Drawing for the Catalogue Jacket of Dalí's Exhibition at the Alex Reid and Lefevre Gallery in London | 1936 | |||
The Anthropomorphic Cabinet | 1936 | |||
The Ants | 1936-37 | |||
Aphrodisiac Dinner Jacket | 1936 | |||
Aphrodisiac Dinner Jacket | 1936 | |||
Apparition of the Town of Delft | 1936 | |||
Осенний каннибализм | 1936 | Британская галерея Тейт | ||
Beach Scene (detail study) | 1936 | |||
Blactric Collars | 1936 | |||
Bread on the Head of the Prodigal Son | 1936 | |||
Bust with Drawers | 1936 | |||
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano | 1936 | |||
The City of Drawers | 1936 | |||
The City of Drawers — Study for the «Anthropomorphic Cabinet» | 1936 | |||
The City of Drawers — Study for the «Anthropomorphic Cabinet» | 1936 | |||
A Couple with Their Heads Full of Clouds | 1936 | |||
A Couple with Their Heads Full of Clouds | 1936 | |||
Cover of «Minotaure» Magazine | 1936 | |||
Decalcomania | 1936 | |||
The Dream places a Hand on a Man’s Shoulder | 1936 | |||
The Forgotten Horizon | 1936 | |||
The Fossilized Automobile of Cape Creus | 1936 | |||
Freudian Portrait of a Bureaucrat | 1936 | |||
Gala’s Head — Rear View | 1936 | |||
Geodesic Portrait of Gala | 1936 | |||
Geological Justice | 1936 | |||
The Great Paranoiac | 1936 | |||
Hands Chair | 1936 | |||
Head of a Woman in the Form of a Battle | 1936 | |||
Hypnagogic Monument | 1936 | |||
Landscape with Girl Skipping Rope | 1936 | |||
Телефон-омар (Телефон-лобстер, Телефон-лангуст) | 1936 | 4 + 6 музеев | скульптура, существуют одноцветная и цветная версии | |
Mae West’s Lips Sofa | 1936-37 | |||
The Man with the Head of Blue Hortensias | 1936 | |||
Man with His Head Full of Clouds | 1936 | |||
Messenger in a Palladinian Landscape | 1936 | |||
Морфологическое эхо | 1936 | |||
Морфологическое эхо | 1936 | |||
Necrophiliac Springtime | 1936 | |||
Night and Day Clothes | 1936 | |||
Our Love | 1936 | |||
The Pharmacist of Ampurdan in Search of Absolutely Nothing | 1936 | |||
Singularities (Singularitats) | 1936 | |||
Мягкая конструкция с варёными бобами (Предчувствие гражданской войны) | 1936 | Художественный музей Филадельфии | ||
South (Noon) | 1936 | |||
Study for the Cover of «Minotaure», No. | 81936 | |||
Study for «A Couple with Their Heads Full of Clouds» (detail) | 1936 | |||
Study for «Geodesic Portrait of Gala» | 1936 | |||
Study for «Spain» | 1936 | |||
Study of Horsemen | 1936 | |||
Suburbs of a Paranoiac-Critical Town: Afternoon on the Outskirts of European History | 1936 | |||
Солнечный столик[вд] | 1936 | Музей Бойманса — ван Бёнингена | ||
Surrealist Composition with Invisible Figures (second version of «Rocks of Llané») | 1936 | |||
Three Young Surrealistic Women Holding in Their Arms the Skins of an Orchestra | 1936 | |||
Венера Милосская с ящиками | 1936 | Чикагский институт искусств | ||
Венера Милосская с ящиками | 1936 | |||
The Vertebrate Grotto — Transfer Series | 1936 | |||
White Calm | 1936 | |||
Woman with Drawers | 1936 | |||
Anatomical Studies — Transfer Series | 1937 | |||
Average Pagan Landscape | 1937 | |||
Burning Giraffe | 1937 | |||
Жираф в огне | 1937 | Базельский художественный музей | ||
Cannibalism of the Objects | 1937 | |||
Creation of the Monsters | 1937 | |||
Dinner in the Desert | 1937 | |||
Dinner in the Desert Lighted by Giraffes on Fire | 1937 | |||
Drawers Cannibalism | 1937 | Composition with Drawers | ||
Enchanted Beach (Long, Siphon) | 1937 | |||
Herodias | 1937 | |||
How Skyscrapers Will Look in 1987 (Drawing for «American Weekly») | 1937 | |||
The Hysterical Arch | 1937 | |||
Imaginary Portrait of Lautréamont at the Age of Nineteen | 1937 | |||
The Invention of the Monsters | 1937 | |||
Knights of Death | 1937 | |||
Метаморфозы Нарцисса | 1937 | Тейт Модерн | ||
Palladio’s Thalia Corridor | 1937 | |||
Perspectives | 1937 | |||
Portrait of Freud | 1937 | |||
Queen Salome | 1937 | |||
Сон (англ. Sleep) | 1937 | частная | ||
Study for «The False Inspection» (False Perspective) | 1937 | |||
Study for «The Metamorphosis of Narcissus» | 1937 | |||
Surrealist Dinner on a Bed (Drawing for a Film Project with the Marx Brothers) | 1937 | |||
Surrealist Gondola Above Burning Bicycles (Drawing for a Film Project with the Marx Brothers) | 1937 | |||
Лебеди, отражающиеся в слонах | 1937 | частная | ||
Без названия | 1937 | Hysterical Scene | ||
Без названия | 1937 | Lamp with Drawers (Drawing for an interior) | ||
Без названия | 1937 | Standard Lamp With Crutches (Drawing for an interior) | ||
Без названия | 1937 | Woman with a Flower Head | ||
Visions of Eternity | 1937 | |||
The Woman in Flames | 1937 | |||
Apparition of the Figure of Vermeer on the Face of Abraham Lincoln. Study for «The Image Disappears» | 1938 | |||
Явление лица и вазы с фруктами на берегу моря | 1938 | Уодсворт Атенеум | ||
Beach at Cape Creus with Seated Woman Seen from the Back Mending a Sail and Boat | 1938 | |||
Beach with Telephone | 1938 | |||
Coccyx Women | 1938 | |||
Composition — Two Women with a Town in the Background | 1938 | |||
Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone | 1938 | |||
Enchanted Beach with Three Fluid Graces | 1938 | |||
The Endless Enigma | 1938 | |||
Face of the Great Cyclopean Cretin | 1938 | |||
Fantastic Beach Scene with Skeleton and Parrot | 1938 | |||
Gradiva | 1938 | |||
Greyhound | 1938 | |||
The Image Disappears | 1938 | |||
Imaginary Figures with a Background of Spanish Monuments (Study for the Costumes for Coco Chanel) | 1938 | |||
Imperial Violets | 1938 | |||
Impressions of Africa | 1938 | |||
Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs | 1938 | |||
Mandolin, Fruit Dish With Pears, Two Figs on a Table | 1938 | |||
Mythological Beast | 1938 | |||
Palladio’s Corridor of Dramatic Surprise | 1938 | |||
Philosopher Reclining | 1938 | |||
Portrait of Sigmund Freud | 1938 | |||
Portrait of Sigmund Freud — Morphology of the Skull of Sigmund Freud. Illustration for «The Secret Life of Salvador Dalí» | 1938 | |||
Spain | 1938 | |||
Study for the Self-portrait in «Impressions of Africa» | 1938 | |||
Study for the Self-portrait in «Impressions of Africa» | 1938 | |||
Study for The Image Disappears | 1938 | |||
Высокое мгновение | 1938 | Государственная галерея искусств Штутгарта[англ.] | ||
The Transparent Simulacrum of the Feigned Image | 1938 | |||
Без названия | 1938 | |||
Без названия — Figure (unfinished) | 1938-39 | |||
The Warning | 1938 | |||
Actress Betty Stockfeld Is Metamorphosed into a Nurse | 1939 | |||
Apparition of a War Scene on the Face of Lieutenant Deschanel. Cover of «Match» | 1939 | |||
Baby Map of the World | 1939 | |||
Вакханалия | 1939 | |||
Ballerina in a Death’s Head | 1939 | |||
Эскизы к картине «Вакханалия» | 1939 | |||
The Dream of Venus | 1939 | |||
The Enigma of Hitler | 1939 | |||
Freud’s Perverse Polymorph (Bulgarian Child Eating a Rat) | 1939 | |||
Gradiva Becoming Fruits, Vegetables, Pork, Bread, and Grilled Sardine | 1939 | |||
Gradiva, She Who Advances | 1939 | |||
Group of Figures | 1939 | |||
Landscape with Telephones on a Plate | 1939 | |||
Mad Tristan | 1939 | |||
Masked Mermaid in Black | 1939 | |||
Metamorphosis of the Five Allegories of Giovanni Bellini | 1939 | |||
Metamorphosis of a Man’s Bust into a Scene Inspired by Vermeer | 1939 | |||
Metamorphosis of a Man’s Bust into a Scene Inspired by Vermeer | 1939 | |||
Philosopher Illuminated by the Light of the Moon and the Setting Sun | 1939 | |||
Portrait of Gala (unfinished; detail) | 1939 | |||
Portrait of Sigmund Freud from «The Secret Life» | 1939 | |||
Psychoanalysis and Morphology Meet | 1939 | |||
Сценография балета «Вакханалия» | 1939 | |||
Ширли Темпл — самый молодой и самый священный монстр кино своего времени[англ.] | 1939 | Музей Бойманса — ван Бёнингена | См. Ширли Темпл | |
Sirens and Graces — Set Design for Dalí's «Bacchanale» | 1939 | |||
The Sphere Attacks the Pyramid. Cover of the Catalogue of the Exhibition at Julien Levy’s in New York. | 1939 | |||
Study for Apparition of a Vermeer Figure on Abraham Lincoln’s Face | 1939 | |||
Study for Portrait of Gala | 1939 | |||
Study for a Ballet Backdrop | 1939 | |||
Telephone in a Dish With Three Grilled Sardines at the End of September | 1939 |
1940—1949
[править | править код]Изображение | Название | Год | Коллекция | Примечание |
---|---|---|---|---|
Allegory of Sunset Air (Allegory of the Everning) | 1940-41 | |||
Arches with Fruit Bowl. Study for Slave Market with the Appearance of the Invisible Bust of Voltaire | 1940 | |||
Centaur (The Triumph of Nautilus) | 1940 | |||
Daddy Longlegs of the Evening… Hope! | 1940 | |||
Etudes d’Anges | 1940 | |||
Family of Marsupial Centaurs | 1940 | |||
Figures on the Stairs | 1940 | |||
The Golden Age — Family of Marsupial Centaurs | 1940-41 | |||
Group of Women Imitating the Gestures of a Schooner | 1940 | |||
Lady Louis Mountbatten | 1940 | |||
March of Time Comittee — Papillon | 1940 | |||
Old Age, Adolescence, Infancy (The Three Ages) | 1940 | |||
Perforated House with Fruit Bowl. Study for Slave Market with the Appearance of the Invisible Bust of Voltaire | 1940 | |||
Невольничий рынок с явлением незримого бюста Вольтера | 1940 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
Two Pieces of Bread, Expressing the Sentiment of Love | 1940 | |||
Без названия (Three Figures and a Cypress) | 1940 | |||
Лицо войны | 1940 | Музей Бойманса — ван Бёнингена | ||
Cafe Scene. The Figures at the Table Make a Skull — Drawing for the Nightmare in «Moontide» | 1941 | |||
Car Clothing (Clothed Automobile) | 1941 | |||
Costume for a Nude with a Codfish Tail | 1941 | |||
Сценография балета «Лабиринт» | 1941 | |||
Design for «Labyrinth» | 1941 | |||
Drawing for the Glass Hallucination in Hitchcock’s Film «Moontide (the House of Dr. Edwards)» | 1941 | |||
The Eye of Time | 1941 | |||
The Face of War — Drawing for the Nightmare Scene in the Film «Moontide» | 1941 | |||
Мёд слаще крови | 1941 | Santa Barbara Museum of Art[англ.] | ||
Отрочество[нидерл.] (Adolescense) | 1941 | Музей реализма Шеринги[нидерл.] | Была украдена в 2009 году. Возвращена музею в 2016-м. | |
Invisible Bust of Voltaire | 1941 | |||
Jewel | 1941 | |||
Maquette of the scenery for «Labyrinth» | 1941 | |||
Mysterious Mouth Appearing in the Back of My Nurse | 1941 | |||
Original Sin | 1941 | |||
Portrait of Gala | 1941 | |||
Portrait of Gala. Study for «Galarina» | 1941 | |||
Portrait of Mrs. George Tait, II | 1941 | |||
Ruin with Head of Medusa and Landscape | 1941 | |||
Set of «Tristan and Isolde» | 1941 | |||
Soft Self-portrait with Fried Bacon | 1941 | |||
Study for Slave Market with the Appearance of the Invisible Bust of Voltaire | 1941 | |||
Study for «Original Sin» | 1941 | |||
Study for «Portrait of Mrs. Georges Tait, II» | 1941 | |||
Temple — Sketch for a Set Design | 1941 | |||
The Triumph of Nautilus | 1941 | |||
Birth of a New World | 1942 | |||
Composition (Two Harlequins) | 1942 | |||
Decor for «Romeo et Juliet» | 1942 | |||
Design for the Interior Decoration of a Stable-Library | 1942 | |||
Design for the set of «Romeo and Juliet» | 1942 | |||
Design for the set of «Romeo and Juliet» (backdrops and wing flats) | 1942 | |||
Design for a poster for «The Secret Life of Salvador Dalí» | 1942 | |||
Divine Couple — Sketch for «Nativity of a New World» | 1942 | |||
Equestrian Parade (possibly Set Design for «Romeo and Juliet») | 1942 | |||
The Flames, They Call | 1942 | |||
Juliet’s Tomb | 1942 | |||
Maternite Aux Oiseaux | 1942 | |||
Melancholy | 1942 | |||
Mural Painting for Helena Rubinstein | 1942 | панно | ||
Mural Painting for Helena Rubinstein | 1942 | панно | ||
Mural Painting for Helena Rubinstein | 1942 | панно | ||
Nude on the Plain of Rosas | 1942 | |||
Portrait of the Marquis De Cuevas | 1942 | |||
Portrait of Mrs. Luther Greene | 1942 | |||
Portrait of Mrs. Ortiz-Linares | 1942 | |||
Romeo and Juliet Memorial | 1942 | |||
Saint George and the Dragon | 1942 | |||
The Sheep | 1942 | |||
Study for the campaign against venereal disease: «Soldier Take Warning» | 1942 | |||
Study for the portrait «Princess Arthchild Gourielli-Helena Rubinstein» | 1942-43 | |||
Study for the Set of «Labyrinth» — Fighting the Minotaur | 1942 | |||
Study for the set of «Romeo and Juliet» | 1942 | |||
The Two on the Cross | 1942 | |||
Без названия — Design for the Mural Painting for Helena Rubinstein | 1942 | |||
Без названия — for the campaign against venereal disease | 1942 | |||
Без названия — Set Design (Figures Cut in Three) | 1942 | |||
William Tell Group | 1942-43 | |||
The Broken Egg | 1943 | |||
Condottiere (Self-Portrait as Condottiere) | 1943 | |||
Геополитический ребёнок, наблюдающий за рождением нового человека | 1943 | |||
Le Mendicant | 1943 | |||
Madonna | 1943 | |||
Madonna of the Birds | 1943 | |||
The Madonna of the Birds with Two Angels | 1943 | |||
Painting for the backdrop of «Cafe De Chinitas» | 1943 | |||
The Poetry of America (unfinished) | 1943 | |||
Portrait of Ambassador Cardenas | 1943 | |||
Portrait of Mrs. Harrison Williams | 1943 | |||
Princess Arthchil Gourielli (Helena Rubinstein) | 1943 | |||
Saint Sebastian | 1943 | |||
The Ship | 1943 | |||
Stage Curtain for the Ballet «Cafe De Chinitas» | 1943 | |||
Study for «Galarina» | 1943 | |||
The Triumph of Tourbillon | 1943 | |||
Без названия — New Accessoires | 1943 | |||
The Apotheosis of Homer | 1944-45 | |||
Dance — the Seven Arts | 1944 | |||
Drawing for the dust jacket of «Hidden Faces» | 1944 | |||
Frontispiece for «Hidden Faces» — I Am the Lady… | 1944 | |||
Gala Naked. Study for «Dream Caused by the Flight of a Bee…» | 1944 | |||
Галарина | 1944-45 | Театр-музей Дали | ||
Giant Flying Demi-Tasse with Incomprehensible Appendage Five Meters Long | 1944-45 | |||
Leg Composition. Drawing from a series of advertisements for Bryans Hosiery | 1944 | |||
Mad Tristan | 1944 | |||
Monumental Shield for «Hidden Faces» | 1944 | |||
Music — The Red Orchestra — The Seven Arts | 1944 | |||
Сон, вызванный полётом пчелы вокруг граната за секунду до пробуждения | 1944 | Музей Тиссена-Борнемисы | ||
Paranoia | 1944 | Surrealist Figures | ||
Sentimental Colloquy | 1944 | Study for a Ballet | ||
Study for the Backdrop of «Mad Tristan» (Act II) | 1944 | |||
Study for the set of the ballet «Tristan Insane» (Act) | 1944 | |||
Study for «The Apotheosis of Homer» | 1944 | |||
Tristan and Isolde | 1944 | |||
«Tristan and Isolde» — study for the set of the ballet «Bacchanale» | 1944 | |||
«Tristan Insane»: Costumes for the Spirits of Death | 1944 | |||
Без названия | 1944 | the Seven Arts | ||
Без названия | 1944 | the Seven Arts | ||
Без названия | 1944 | the Seven Arts | ||
Без названия | 1944 | Design for the ball in the dream sequence in «Spellbound» | ||
Women Metamorphosed | 1944 | the Seven Arts | ||
Autumn Sonata | 1945 | |||
Корзинка с хлебом | 1945 | Театр-музей Дали | ||
The Broken Bridge and the Dream | 1945 | |||
Design for the Film «Spellbound» | 1945 | |||
Design for the Film «Spellbound» | 1945 | |||
Design for the set of the film «Spellbound» | 1945 | |||
Don Quixote and the Windmills | 1945 | |||
Drawing for «Spellbound» | 1945 | |||
The Eye | 1945 | |||
Fountain of Milk Spreading Itself Uselessly on Three Shoes | 1945 | |||
Four Illustrations: Female Figures with Candle | 1945 | |||
Illustration for «The Autobiography of Benvenuto Cellini» | 1945 | См. Жизнь Бенвенуто Челлини | ||
Illustration for «The Autobiography of Benvenuto Cellini» | 1945 | |||
Illustration for «The Autobiography of Benvenuto Cellini» | 1945 | |||
Melancholy | 1945 | |||
My Wife, Naked, Looking at her own Body | 1945 | |||
Napoleon’s Nose | 1945 | |||
Portrait of Mrs. Isabel Styler-Tas | 1945 | |||
Poster for a Ballet | 1945 | |||
Resurrection of the Flesh | 1945 | |||
Shop Window with Sewing Machine and Umbrella | 1945 | |||
Spellbound | 1945 | |||
Study for the dream sequence in «Spellbound» | 1945 | |||
Study for «Portrait of Mrs. Isabel Styler-Tas» | 1945 | |||
Three Apparitions of the Visage of Gala | 1945 | |||
Без названия — Portrait of a Woman | 1945 | |||
Без названия — Scene with Marine Allegory | 1945 | |||
Victory — Woman Metamorphosing into a Boat with Angels | 1945 | |||
Benvenuto Cellini and Jupiter | 1946 | |||
Christmas (Noel) | 1946 | |||
Composition — Portrait of Mrs. Eva Kolsman | 1946 | |||
Desert Trilogy — Apparition of a Couple in the Desert — for «Desert Flower» perfume | 1946 | |||
Desert Trilogy — Apparition of a Woman and Suspended Architecture in the Desert — for «Desert Flower» perfume | 1946 | |||
Desert Trilogy — Flower in the Desert | 1946 | |||
Double Image for «Destino» | 1946 | |||
Drawing for Disney’s «Destino» | 1946-47 | |||
Madonna | 1946 | |||
Metamorphose | 1946 | |||
Nude in the Desert Landscape | 1946 | |||
One of illustrations for Shakespeare’s «Macbeth» | 1946 | |||
The Stain | 1946 | |||
Study for the «Desert» Perfume Advertisement | 1946 | |||
Искушение святого Антония | 1946 | Королевские музеи изящных искусств | ||
Без названия | 1946 | Spanish Dances in a Landscape | ||
The Annunciation | 1947 | |||
Battle Over a Dandelion | 1947 | |||
Cathedral of Thumbs (The Thumbs) | 1947 | |||
Dematerialization Near the Nose of Nero | 1947 | |||
Design for «Destino» | 1947 | |||
Design for «Destino» | 1947 | |||
Drawing for « Secrets of Magic Craftsmanship» | 1947 | |||
Feather Equilibrium (Interatomic Balance of a Swan’s Feather) | 1947 | |||
Hollywood | 1947 | |||
Hollywood. Cover illustration for «Sunset» magazine | 1947 | |||
The Impossible Model (drawing for « Secrets of Magic Craftsmanship») | 1947 | |||
Jour de la Vierge | 1947 | |||
Портрет Пабло Пикассо в XXI веке | 1947 | Театр-музей Дали | ||
Rock and Infuriated Horse Sleeping Under the Sea | 1947 | |||
Studies for the air centers and soft morphologies of «Leda Atomica» | 1947 | |||
Study for Dematerialization of the Nose of Nero | 1947 | |||
Study for Leda Atomica | 1947 | |||
Study for «Leda Atomica» | 1947 | |||
The Three Sphinxes of Bikini | 1947 | |||
Без названия | 1947 | Temple Frontage with Atomic Explosions | ||
Wheat Ear | 1947 | |||
Drawing for the programme for the ballet «As You Like It» after Shakespeare’s comedy | 1948 | |||
Слоны (англ. The Elephants) | 1948 | частная | ||
Leda Atomica | 1948 | первая неокоченная версия | ||
Portrait of Mrs. Mary Sigall | 1948 | |||
Portrait of Nada Pachevich | 1948 | |||
Study for a Portrait | 1948 | неокончено | ||
Без названия | 1948 | Landscape | ||
Без названия | 1948 | Male Nude in a Landscape | ||
Без названия | 1948 | Illustration for « Secrets of Magic Craftsmanship» | ||
Four Armchairs in the Sky | 1949 | |||
Future Martyr of Supersonic Waves | 1949-50 | |||
«La Turbie» — Sir James Dunn Seated | 1949 | |||
Lago di Garda | 1949 | |||
Атомная Леда | 1949 | Театр-музей Дали | ||
Мадонна Порт-Льигата (первая версия) | 1949 | Университет Маркетта[англ.] | ||
May | 1949 | |||
Naples | 1949 | |||
Rome | 1949 | |||
Set design for the ballet «Los Sacos Del Molinero» | 1949 | |||
Set design for the ballet «Los Sacos Del Molinero» | 1949 | |||
Set design for the ballet «Los Sacos Del Molinero» | 1949 | |||
Set design for the ballet «Los Sacos Del Molinero» | 1949 | |||
Set design for the ballet «Los Sacos Del Molinero» | 1949 | |||
Set design for the ballet «Los Sacos Del Molinero» | 1949 | |||
Study for «The Madonna of Port Lligat» | 1949 |
1950—1959
[править | править код]Изображение | Название | Год | Коллекция | Примечание |
---|---|---|---|---|
Angel (Study) | 1950 | |||
Ascent into the Sky | 1950 | |||
Backdrop for «Don Juan Tenorio» | 1950 | |||
Carnation and Cloth of Gold | 1950 | |||
Christ in Perspective | 1950 | |||
Cork (study for «The Madonna of Port Lligat») | 1950 | |||
The Creation of Eve — Gaining Twofold Living Nature from the Sleep of Man | 1950 | |||
Dalí at the Age of Six | 1950 | |||
Dalí's Moustache | 1950 | |||
Design for the death scene in «Don Juan Tenorio» | 1950 | |||
Erotic Beach | 1950 | |||
The Judgement of Paris | 1950 | |||
Kneeling Figure (Microphysical Phosphenes) | 1950-51 | |||
Landscape of Port Lligat | 1950 | |||
Landscape of Port Lligat with Homely Angels and Fisherman | 1950 | |||
The Madonna of Port Lligat (detail) | 1950 | |||
The Madonna of Port Lligat (second version) | 1950 | |||
Metamorphosis and Dynamic Disintegration of a Cuttlefish Bone Becoming Gala (study for «The Madonna of Port Lligat») | 1950 | |||
Mystical Carnation | 1950-51 | |||
Rhinoceros Disintegrating | 1950 | |||
The Soft Watch | 1950 | |||
Study after «Madonna and Child» by Piero Della Francesca for «The Madonna of Port Lligat» | 1950 | |||
Study for the child in «The Madonna of Port Lligat» | 1950 | |||
Study for the drapery in «The Madonna of Port Lligat» | 1950 | |||
Study for a Backdrop | 1950 | |||
Study for head of «Madonna of Port Lligat» | 1950 | |||
Study for «Myself at the Age of Six…» | 1950 | |||
Celestial Coronation | 1951 | |||
Cerberrus. Illustration for Dante’s «Divine Comedy» | 1951 | |||
Христос Святого Иоанна Креста | 1951 | Художественная галерея и музей Келвингроув | ||
Cosmic Contemplation | 1951 | |||
Dante | 1951 | |||
Exploding Flower | 1951 | |||
Explosive Madonna | 1951 | |||
The Fallen Angel. Illustration for Dante’s «Divine Comedy» | 1951 | |||
The Followers of Simon. Illustration for Dante’s «Divine Comedy» | 1951 | |||
Human Skull Consisting of Seven Naked Women’s Bodies | 1951 | |||
Illustration for Dante’s «Divine Comedy» | 1951 | |||
Landscape with Cavalier and Gala | 1951 | |||
A Logician Devil — Lucifer. Illustration for Dante’s «Divine Comedy» | 1951 | |||
Portrait of a Child (unfinished) | 1951 | |||
Portrait of Colonel Jack Warner | 1951 | |||
Portrait of Katharina Cornell | 1951 | |||
Portrait of Mrs. Jack Warner | 1951 | |||
The Queen of the Butterflies | 1951 | |||
Raphaelesque Head Exploding | 1951 | |||
Raphaelesque Head Exploding | 1951 | |||
Study for «Christ of St. John of the Cross» | 1951 | |||
Без названия | 1951 | Ants and Wheat Ear | ||
The Wheelbarrows | 1951 | |||
The Angel of Port Lligat | 1952 | |||
The Angel of Port Lligat | 1952 | |||
Arithmosophic Cross | 1952 | |||
Asummpta Corpuscularia Lapislazulina | 1952 | |||
Дезинтеграция постоянства памяти | 1952-54 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
Equestrian Molecular Figure | 1952 | |||
Eucharistic Still Life | 1952 | |||
Exploding Head | 1952 | |||
Foreshortening of Gala | 1952 | |||
Gala Placida | 1952 | |||
Галатея со сферами | 1952 | Театр-музей Дали | ||
Head of a Gray Angel | 1952-54 | |||
Madonna in Particles | 1952 | |||
Madonna in Particles | 1952 | |||
Nuclear Cross | 1952 | |||
Nuclear Head of an Angel | 1952 | |||
Opposition | 1952 | |||
Raphaelesque Dynamics | 1952 | |||
Study for the Head of the Virgin | 1952 | |||
The Tree | 1952 | |||
Costume designs for «Le Ballet Des Vendangeurs» (The Grape Pickers' Ballet) | 1953 | |||
Costume designs for «Le Ballet Des Vendangeurs» (The Grape Pickers' Ballet) | 1953 | |||
Costume designs for «Le Ballet Des Vendangeurs» (The Grape Pickers' Ballet) | 1953 | |||
Dalí's design for a fashion contest under the Theme «The Woman of the Future» | 1953 | |||
The Grape Pickers: Bacchus’s Chariot | 1953 | |||
The Royal Heart | 1953 | |||
Tortoise for «Le Ballet Des Vendangeurs» | 1953 | |||
The Angel Cross | 1954 | |||
Anthropomorphic Figure | 1954 | |||
Колосс Родосский | 1954 | Бернский художественный музей | ||
Crucifixion | 1954 | |||
Распятие или Гиперкубическое тело | 1954 | Метрополитен-музей | ||
Обнажённый Дали…[вд] | 1954 | частная | «Обнажённый Дали, созерцающий пять упорядоченных тел, превращающихся в корпускулы, из которых неожиданно сотворяется Леда Леонардо, оплодотворённая лицом Гала» | |
Equestrian Fantasy — Portrait of Lady Dunn | 1954 | |||
Gala Contemplating the Corpus Hypercubicus | 1954 | |||
Galatée | 1954 | |||
Head Bombarded with Grains of Wheat (Particle Head Over the Village of Cadaqués) | 1954 | |||
Le Papillon au Rocher | 1954 | |||
The Lighthouse at Alexandria | 1954 | |||
The Lighthouse at Alexandria | 1954 | |||
Madonna and Particle Child (Nuclear Drawing) | 1954 | |||
The Maximum Speed of Raphael’s Madonna | 1954 | |||
Microphysical Madonna | 1954 | |||
Noon (Barracks of Port Lligat) | 1954 | |||
Portrait of Gala with Rhinocerotic Symptoms | 1954 | |||
Portrait of Mrs. Ann Woodward | 1954 | |||
Portrait of Mrs. Reeves | 1954 | |||
The Pyramids and the Sphynx of Gizeh | 1954 | |||
Rhinocerotic Disintegration of Illissus of Phidias | 1954 | |||
Roman Cavalier in Spain | 1954 | |||
Seven Flies and a Model | 1954 | |||
Sketch for «Soft Watch, Exploding into Pieces after Twenty Years of Complete Motionlessness» | 1954 | |||
Soft Watch at the Moment of First Explosion | 1954 | |||
Statue of Olympic Zeus | 1954 | |||
Symphony in Red | 1954 | |||
Two Adolescents | 1954 | |||
The Walls of Babylon | 1954 | |||
Содомское самоудовлетворение невинной девы | 1954 | Playboy Mansion (до 2003) | ||
Ascensionist Saint Cecilia | 1955 | |||
Blue Horns. Design for a Scarf | 1955 | |||
Combat (Microphysical Warriors) | 1955 | |||
Illustration for «Tres Picos» | 1955 | |||
The Lacemaker (copy of the painting by Vermeer Van Delft) | 1955 | |||
Тайная вечеря | 1955 | Национальная галерея искусства | ||
Paranoiac-Critical Study of Vermeer’s 'Lacemaker' | 1955 | |||
Portrait of Laurence Olivier in the Role of Richard III | 1955 | |||
The Rhinoceros Dressed on Lace | 1955 | |||
The Rhinoceros Dressed on Lace (detail) | 1955 | |||
Rhinocerotic Bust of Vermeer’s «Lacemaker» | 1955 | |||
Rhinocerotic Figures | 1955 | |||
Rhinocerotic Portrait of Vermeer’s «Lacemaker» | 1955 | |||
Study for The Last Supper | 1955 | |||
Two Disciples (Study for «Sacrament of the Last Supper») | 1955 | |||
Без названия (The Amazing Adventure of Vermeer’s «Lacemaker») | 1955 | |||
Anti-Protonic Assumption | 1956 | |||
Assumpta Canaveral | 1956 | |||
Don Quixote | 1956-57 | |||
Don Quixote | 1956-57 | |||
Don Quixote | 1956-57 | |||
Don Quixote | 1956-57 | |||
Fancy Costumes | 1956 | |||
The Infant Jesus | 1956 | |||
The Motionless Swallow. Study for «Still Life — Fast Moving» | 1956 | |||
Живой натюрморт | 1956 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
Rhinocerotic Gooseflesh | 1956 | |||
Saint Surrounded by Three Pi-Mesons | 1956 | |||
The Skull of Zurbarán | 1956 | |||
St. Helena of Port Lligat | 1956 | |||
Study for a fruit bowl in «Still Life — Fast Moving» | 1956 | |||
Study for «Nature Morte Vivante» | 1956 | |||
Без названия | 1956 | Landscape with Butterflies | ||
Vase of Flowers | 1956 | |||
Wine Glass and Boat | 1956 | |||
Butterfly Landscape (The Great Masturbator in a Surrealist Landscape with D.N.A.) | 1957-58 | |||
Celestial Ride | 1957 | |||
The Duke of Urbino (Portrait of Count Theo Rossi Di Montelera) | 1957 | |||
The Golden Age (Don Quixote) | 1957 | |||
The Grand Opera | 1957 | |||
Metamorphosed Women — The Seven Arts | 1957 | |||
Modern Rhapsody — The Seven Arts | 1957 | |||
Red Orchestra | 1957 | |||
Rock 'n Roll | 1957 | |||
Saint John | 1957 | |||
Santiago El Grande | 1957 | |||
Sorcery — The Seven Arts | 1957 | |||
Swallow | 1957 | |||
Без названия (Surrealist Landscape) | 1957-58 | |||
Allegorical Saint and Angels in Adoration of the Holy Spirit | 1958 | |||
Angel | 1958 | |||
Ascension | 1958 | |||
The Ascension of Christ | 1958 | |||
Christ. From «The Apocalypse of St. John» | 1958 | |||
Clown for «The Amazing Adventure of the Lacemaker and the Rhinoceros» | 1958 | |||
Cosmic Madonna | 1958 | |||
Cover of «The Apocalypse of St. John» | 1958 | |||
Detail from «Moonlit Landscape with Accompaniment» | 1958 | |||
Dionysus Spitting the Complete Image of Cadaqués on the Tip of the Tongue of a Three-Storied Gaudinian Woman | 1958-60 | |||
Открытие Америки Христофором Колумбом | 1958-59 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
Landscape Near Port Lligat | 1958 | |||
Logical Rapproachment of a Trouser Button and a Pair of Cherries | 1958 | |||
Медитативная роза[вд] | 1958 | частная | ||
Metamorphosis of Hitler’s Face into a Moonlit Landscape with Accompaniment | 1958 | |||
PI-Mesonic Angel | 1958 | |||
The Pope’s Ear | 1958 | |||
Portraif of Chester Dale and His Dog Coco | 1958 | |||
Portrait of Sir James Dunn | 1958 | |||
Radiolaire Skeleton. Illustration for « Secrets of Magic Craftsmanship» | 501958 | |||
Religious Scene in Particles | 1958 | |||
The Sistine Madonna | 1958 | |||
The Sistine Madonna (detail) | 1958 | |||
Study for «The Discovery of America by Christopher Columbus» | 1958 | |||
Velazquez Painting the Infanta Margarita with the Lights and Shadows of His Own Glory | 1958 | |||
Christ on a Pebble | 1959 | |||
Leda’s Swan | 1959 | |||
Of the Very Monarchical Education of the Young | 1959 | |||
Pieta. From «The Apocalypse of St. John» | 1959 | |||
Port Lligat at Sunset | 1959 | |||
Portrait of Reinaldo Herrera Marquis De Torre Casa | 1959 | |||
Study for «Woman Undressing» | 1959 | |||
The Vase of Cornflowers | 1959 | |||
The Virgin of Guadalupe | 1959 | |||
Woman Undressing | 1959 |
1960—1969
[править | править код]Изображение | Название | Год | Коллекция | Примечание |
---|---|---|---|---|
The Apocalypse of Saint John | 1960 | |||
Arabs. Study for «The Battle of Tetuan» | 1960 | |||
Beatrice | 1960 | |||
Birth of a Divinity | 1960 | |||
Birth of a Goddess | 1960 | |||
Cathedral (unfinished) | 1960 | |||
Chair with the Wings of a Vulture | 1960 | |||
The Cosmic Athlete | 1960 | |||
Вселенский собор | 1960 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
Вселенский собор | 1960 | |||
A Fate of the Parthenon | 1960 | |||
Female Seated Nude | 1960 | |||
Figure In the Shape of a Cloud | 1960 | |||
Gala Nude From Behind Looking in an Invisible Mirror | 1960 | |||
Hyperxiological Sky | 1960 | |||
The Life of Mary Magdalene | 1960 | |||
Madonna | 1960 | |||
The Maids-in-Waiting (Las Meninas) | 1960 | |||
The Maids-in-Waiting (Las Meninas; detail) | 1960 | |||
Portrait of «Bobo» Rockefeller | 1960 | неокончен | ||
Portrait of Countess Ghislaine d’Oultremont | 1960 | |||
Portrait of Juan de Pareja Repairing a String of His Mandolin | 1960 | |||
Portrait of a Man (They Were There) | 1960 | |||
Portrait of Mrs. Fagen | 1960 | |||
Portrait of St. Jerome | 1960 | |||
A Propos of the «Treatise on Cubic Form» by Juan de Herrera | 1960 | |||
Saint Anne and the Infant | 1960 | |||
Saint Anne and Saint John | 1960 | |||
San Salvador and Antonio Gaudi Fighting for the Crown of the Virgin | 1960 | |||
The Servant of the Disciples at Emmaus | 1960 | |||
Six Figures | 1960 | |||
The Space Elephant | 1960 | |||
St. Peter’s in Rome (Explosion of Mystical Faith in the Midst of a Cathedral) | 1960 | |||
The Trinity (Study for «The Ecumenical Council») | 1960 | |||
Two Religious Figures | 1960 | |||
Без названия | 1960 | |||
Без названия (The Lady of Avignon) | 1960 | |||
Arabs. Study for «The Battle of Tetuan» | 1961 | |||
Битва при Тетуане[вд] | 1961-62 | частная | См. Битва за Тетуан | |
The Infanta (Standing Woman) | 1961 | |||
Leda’s Swan (Leda and the Swan) | 1961 | |||
Mohammed’s Dream (Homage to Fortuny) | 1961 | |||
Portrait of a Woman — Grey Jacket Wearing a Pearl Necklace | 1961 | |||
Study for «The Battle of Tetuan» | 1961 | |||
Study for «The Battle of Tetuan» | 1961 | |||
The Alchemist | 1962 | |||
Arab | 1962 | |||
Arab | 1962 | |||
Macrophotographic Self-Portrait with the Appearance of Gala | 1962 | |||
Macrophotographic Self-Portrait with the Appearance of Gala (detail) | 1962 | |||
Medusa’s Head | 1962 | |||
Portrait of Mr. Fagen | 1962 | |||
The Sacred Heart of Jesus | 1962 | |||
St. George and the Dragon | 1962 | |||
Study for «The Battle of Tetuan» | 1962 | |||
Study of a Female Nude | 1962 | |||
Twist in the Studio of Velazquez | 1962 | |||
Vision of Fatima | 1962 | |||
Arabs — the Death of Raimundus Lullus | 1963 | |||
Arabs — the Death of Raymond Lulle | 1963 | |||
Desoxyribonucleic Acid Arabs | 1963 | |||
D’Artagnan | 1963 | |||
Fifty Abstract Paintings Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen from Six Yards Appear as the Head of a Royal Bengal Tiger | 1963 | |||
Galacidalacidesoxyribonucleicacid | 1963 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
Hercules Lifts the Skin of the Sea and Stops Venus for an Instant from Waking Love | 1963 | |||
The Judgement of Paris | 1963 | |||
Madonna with a Mystical Rose | 1963 | |||
Mohammed’s Dream | 1963 | |||
Portrait of My Dead Brother | 1963 | |||
Religious Scene | 1963 | |||
Study for Deoxyribonucleic Acid Arabs | 1963 | |||
Study for Deoxyribonucleic Acid Arabs | 1963 | |||
Study for «Fifty Abstract Pictures Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen From Six Yards Appear as the Head of a Royal Bengal Tiger» | 1963 | |||
Без названия (Still Life with Lilies) | 1963 | |||
Bust of Dante | 1964 | |||
The Dream of Ezechiel | 1964 | |||
Female Nude (after restoration) | 1964 | |||
Landscape with Flies | 1964 | |||
Madonna with a Rose | 1964 | |||
Без названия (St. John) | 1964 | |||
Без названия. Female Nude on a Palette | 1964 | |||
Venus with Drawers | 1964 | |||
Venus' Otorhinologic Head | 1964 | |||
The Anatomy Lesson | 1965 | |||
Barcelona. Beachwear Design | 1965 | |||
The Chalice of Life | 1965 | |||
«Character Masquerading in Pinning Up a Butterfly» | 1965 | |||
Coming Back. Design for a Beach Two-piece | 1965 | |||
Crucifixion (Dedication: For Gala Queen of the Divine Dalí) | 1965 | |||
Dalínian Empire. Design for a Summer Cocktail Dress | 1965 | |||
The Duke D’Olivares | 1965 | |||
Extra Flat. Design for a Bikini | 1965 | |||
Fifty-Fifty. Swimsuit Design | 1965 | |||
Homage to Meirronier | 1965 | |||
Homage to Millet | 1965 | |||
Laocoon Tormented by Flies | 1965 | |||
Michelin’s Slave — Can Be Used as a Car | 1965 | |||
Night in the Hotel (Abstract in Black and White) | 1965 | |||
Odalisque by a Bath (Harem Scene) | 1965 | |||
ODalísque. Design for a Summer Evening Dress | 1965 | |||
Philipp II Taking Communion | 1965 | |||
Portrait of Gala (Gala Against the Light) | 1965 | |||
Portrait of Mrs. Ruth Daponte | 1965 | |||
The Railway Station at Perpignan | 1965 | |||
Апофеоз доллара (англ. Salvador Dalí in the Act of Painting Gala in the Apotheosis of the Dollar) | 1965 | Театр-музей Дали | ||
The Sun of Dalí | 1965 | |||
Tennis. Design for a Tennis Dress | 1965 | |||
Thirst | 1965 | |||
Без названия (Apocalyptic Christ: Christ with Flames) | 1965 | |||
Без названия (St. John from Behind) | 1965 | |||
Yellow Astronaut (clerical). Design for a Summer Evening Dress | 1965 | |||
Large Figure for «Tuna Fishing» | 1966-67 | |||
Large Figure for «Tuna Fishing» | 1966-67 | |||
Moses and the Pharaoh | 1966 | |||
The Progress of «Tuna Fishing» | 1966-67 | |||
Study for «Tuna Fishing» | 1966-67 | |||
Study for «Tuna Fishing» | 1966-67 | |||
Study for «Tuna Fishing» | 1966-67 | |||
Tuna Fishing | 1966-67 | advanced State | ||
Tuna Fishing | 1966-67 | advanced State | ||
Tuna Fishing | 1966-67 | advanced State | ||
Без названия | 1966 | Erotic Scene with Seven Figures | ||
Ashtray | 1967 | |||
Dalí-Flower | 1967 | |||
Figure Climbing a Stair | 1967 | |||
The Flower Show — Carnation | 1967 | |||
Gala | 1967 | |||
Le Voyageur | 1967 | |||
The Mountains of Cap Creus on the March | 1967 | |||
One of graphics for «Dali illustre Casanova» (Dali Illustrates Casanova) | 1967 | |||
Swan-Elephant and Serpent — Can Be Used as an Ashtray | 1967 | |||
Ловля тунца | 1967 | Фонд Поля Ришара[англ.] | ||
Cyclops | 1968 | |||
Fisherman of Port Lligat Mending His Net | 1968 | |||
Галлюциногенный торреро | 1968-70 | Музей Сальвадора Дали (Сент-Питерсберг) | ||
L’Important C’est la Rose | 1968 | |||
Light and Shadow | 1968 | |||
Mad Mad Mad Minerva — Illustration for «Memories of Surrealism» | 1968 | |||
The Patio of Port Lligat | 1968 | |||
Sketch for «The Hallucinogenic Toreador» | 1968 | |||
Study for the Toreador’s Face in «The Hallucinogenic Toreador». The Likeness Suggests That It Could Well Have Become Gala’s Face | 1968 | |||
Study for «Cosmic Athlete» | 1968 | |||
Study of Flies for «The Hallucinogenic Toreador» | 1968 | |||
Tauromachia I — The Torero, the Kill (third and final round of the bullfight) | 1968 | |||
Debris Christ | 1969 | |||
Emblem of Wounded Pride | 1969 | |||
Hour of the Monarchy | 1969 | |||
Pimp | 1969 | |||
The Pool of Tears. Illustration for «Alice in Wonderland» by Lewis Carroll in an Edition Published by Maecenas Press, New York | 1969 | |||
Study of a Male Nude — Saint Sebastian | 1969 | |||
The Swimming Pool in Port Lligat | 1969-70 | |||
Tap (Grill) | 1969 | |||
Toreo Noir | 1969 | |||
Без названия (Still Life with White Cloth) | 1969 | |||
Без названия (Surrealist Angel) | 1969 |
1970—1979
[править | править код]Изображение | Название | Год | Коллекция | Примечание |
---|---|---|---|---|
Apparition of Venus | 1970 | |||
Christ | 1970 | |||
The Dalinian Senyera (Catalonian National Flag) | 1970 | |||
Death Mask of Napoleon | 1970 | |||
Death Mask of Napoleon | 1970 | |||
Death Mask of Napoleon — Can Be Used as a Cover for a Rhinoceros | 1970 | |||
Hannibal Crossing the Alps | 1970 | |||
Hannibal Crossing the Alps | 1970 | |||
The Horseman of the Apocalypse | 1970 | |||
Les Clemolselles D’Avignon (The Girls of Avignon) | 1970 | |||
Nude Figures at Cape Creus | 1970 | |||
Op Rhinoceros | 1970 | |||
Otorhinological Head of Venus | 1970 | |||
Otorhinological Head of Venus | 1970 | |||
Patient Lovers (Apparition of a Stereoscopic Face in the Ampurdan Landscape) | 1970 | |||
Portrait of John Theodoracopoulos | 1970 | |||
Portrait of Picasso (I Too Have Known the Emperor) | 1970 | |||
Project for a Swimming Pool in Pubol | 1970 | |||
Roger Freeing Angelica (St. George and the Damsel) | 1970 | |||
Silhouette of a Tightrope Walker and Clown | 1970 | |||
Sketch for a Ceiling of the Teatro-Museo Dalí | 1970 | |||
Study for the Decoration of the Ceiling in Pubol | 1970 | |||
Без названия (Michelangelo Head with Drawers) | 1970 | |||
Winged Victory | 1970 | |||
The Banker (series of eleven gouaches on different professions) | 1971 | |||
Caligula’s Horse (Dalí's Horses) | 1971 | |||
Ceiling of the Hall of Gala’s Chateau at Pubol | 1971 | |||
The Christian Knight (Dalí's Horses) | 1971 | |||
Clauilegnio — The Flaming Horse (Dalí's Horses) | 1971 | |||
Dalí as a Child with His Father | 1971 | |||
Design for the Pool at Port Lligat | 1971 | |||
Doctor, Doctor | 1971 | |||
Figure with Flag. Illustration for «Memories of Surrealism» | 1971 | |||
Lady Godiva (Dalí's Horses) | 1971 | |||
Le Char d’Or | 1971 | |||
Now It Is Evening (Amazon) | 1971 | |||
The Second Coming of Christ | 1971 | |||
The Second Coming of Christ | 1971 | |||
View of Pubol | 1971 | |||
View of Pubol | 1971 | |||
Dalí from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished) | 1972-73 | |||
Dalí from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished) | 1972-73 | |||
«Dalí» Palette. Frontispiece for the outline of «The Key Dalí Paintings» | 1972 | |||
The Daughter of the West Wind | 1972 | |||
The Face | 1972 | |||
Gala’s Dream (Dream of Paradise) | 1972 | |||
Marilyn Monroe | 1972 | |||
Object for Gala | 1972 | |||
Overture in Trompe l’Oeil | 1972 | |||
Palace of the Winds | 1972-73 | |||
Palace of the Winds (ceiling painting in the Teatro Museo Dalí; detail) | 1972-73 | |||
Polyhedron. Basketball Players Being Transformed into Angels (Assembling a Hologram — the Central Element) | 1972 | |||
Quantification of Leonardo de Vinci’s «Last Supper» | 1972 | |||
Radiators, Radiator-Covers | 1972 | |||
Автопортрет (фотомонтаж со знаменитым «Мао-Мэрилин», созданным Филиппом Халсманом по просьбе Дали) | 1972 | См. Мэрилин в образе Мао | ||
Sfumato | 1972 | |||
The Sleeping Smoker | 1972-73 | |||
The Sleeping Smoker | 1972-73 | |||
Space Eve | 1972 | |||
Trajan on Horseback | 1972 | |||
Без названия (Stereoscopic Painting) | 1972 | |||
Behind | 1973 | |||
Ceiling of the «Palace of the Wind» | 1973 | |||
Figurine-Nike sur un Socle | 1973 | |||
Gala’s Castle at Pubol | 1973 | |||
Hercules and Gravida | 1973 | |||
Hitler Masturbating | 1973 | |||
Holos! Holos! Velazquez! Gabor! | 1973 | |||
Las Galas of Port Lligat | 1973 | |||
Pomona, Autumn | 1973 | |||
Portrait of Dr. Brian Mercer | 1973 | |||
The Prince of Sleep (El principe de ensueno) | 1973-79 | |||
Study for the Commemoration of the First Cylindrical Hologram for Alice Cooper | 1973 | |||
Three Hyper-Realist Graces (Anti-Racism) | 1973 | |||
The Angel of Alchemy | 1974 | |||
Armchair with Landscape Painted for Gala’s Chateau at Pubol | 1974 | |||
Battle in the Clouds | 1974 | |||
The Black Mass | 1974 | |||
Bust of Velazquez Turning into Three Figures Conversing | 1974 | |||
Christ of St. John on the Cross | 1974 | |||
Cranach Metamorphosis (Woman in a Mirror) | 1974 | |||
Equestrian Portrait of Carmen Bordiu-Franco | 1974 | |||
Figure with Swan | 1974 | |||
Gala at the Window | 1974 | |||
Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln — Homage to Rothko (first version) | 1974-75 | |||
Gala’s Foot | 1974 | |||
Gala’s Foot (left panel) | 1974 | |||
Gala’s Foot (right panel) | 1974 | |||
Nieuw Amsterdam | 1974 | |||
Nude coming up a Stairway | 1974 | |||
The Palace of the Wind | 1974 | |||
The Palace of the Wind | 1974 | |||
Patio-Garden of the Dalí Museum-Theatre in Figueras | 1974 | |||
The Phoenix | 1974 | |||
Ruggiero Freeing Angelica | 1974 | |||
The Shoe (Surrealist Object Functioning Symbolically) | 1974 | |||
The Shoe (Surrealist Object Functioning Symbolically) (reconstruction) | 1974 | |||
Standing Female Nude | 1974 | |||
To Meli | 1974 | |||
Transformation of «Antiques» Magazine Cover into the Apparition of a Face | 1974 | |||
Wounded Soft Watch | 1974 | |||
Castor and Pollux | 1975 | |||
The Chair (stereoscopic work, left component) | 1975 | |||
The Chair (stereoscopic work, right component) | 1975 | |||
Flamme-Figure | 1975 | |||
The Giraffe (The Giraffe of Avignon) | 1975 | |||
Lullus — Homage to Raimundus Lullus (design for a ceiling painting) | 1975 | |||
Nude in a Landscape | 1975 | |||
Study for «The Chair» | 1975 | |||
Architectural Design (Eye Catching Economy) | 1976 | |||
The Chair (stereoscopic work, left component) | 1976 | |||
The Chair (stereoscopic work, right component) | 1976 | |||
Christ Twisted | 1976 | |||
Christ Twisted | 1976 | |||
Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln — Homage to Rothko (second version) | 1976 | |||
Homage to Philosophy | 1976 | |||
Las Meninas (The Maids-in-Waiting) (stereoscopic work, left component) | 1976-77 | |||
Las Meninas (The Maids-in-Waiting) (stereoscopic work, right component) | 1976-77 | |||
Musical Harmony | 1976 | |||
Perseu | 1976 | |||
Portrait of Gala | 1976-77 | |||
Preparatory Drawing for «The Chair» | 1976 | |||
Soft Monster (Monstruo blando adormercido) | 1976 | |||
Study for «Las Meninas» (stereoscopic work, left component) | 1976 | |||
Study for «Las Meninas» (stereoscopic work, right component) | 1976 | |||
Trajano to Horse | 1976 | |||
The Unicorn (unfinished) | 1976 | |||
The Wash Basin (stereoscopic work, left component) | 1976 | |||
The Wash Basin (stereoscopic work, right component) | 1976 | |||
Angelic Landscape | 1977 | |||
Aurora’s Head, After Michelangelo (detail of a Figure on the Grave of Lorenzo Di Medici) | 1977 | |||
Dalí Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus (stereoscopic work, right component) | 1977 | |||
Dalí's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, left component) | 1977 | |||
Dalí's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, right component) | 1977 | |||
Daphne: the Tree Woman | 1977 | |||
Fertility | 1977 | |||
The Happy Unicorn | 1977 | |||
Head (stair-way in the museum) | 1977 | |||
Las Meninas (The Maids-in-Waiting) — first metaphysical hyper-realist painting (unfinished) | 1977 | |||
Mae West Room | 1977 | |||
Monument dedicated to Francesco Pujol (Catalan philosopher) | 1977 | |||
Nike, Victory Goddess of Samothrace, Appears in a Tree Bathed in Light | 1977 | |||
Patio of the Teatro-Museo Dalí | 1977 | |||
Portrait of Gala | 1977 | |||
Randomdot Correlogram — The Golden Fleece (stereoscopic work, left component; unfinished) | 1977 | |||
Randomdot Correlogram — The Golden Fleece (stereoscopic work, right component; unfinished) | 1977 | |||
Soft Skulls with Fried Egg Without the Plate, Angels and Soft Watch in an Angelic Landscape | 1977 | |||
Spanish Knight | 1977 | |||
Study for «Dalí Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus» | 1977 | |||
Surrealist Angel | 1977 | |||
Без названия | 1977 | |||
Virgin with Swallows | 1977 | |||
Allegory of Spring | 1978 | |||
Ampurdanese Landscape | 1978 | |||
Cybernetic Odalisque | 1978 | |||
Dark Tapeworms | 1978 | |||
The Eye of the Angelus (stereoscopic work, left component; unfinished) | 1978 | |||
The Eye of the Angelus (stereoscopic work, right component; unfinished) | 1978 | |||
Gala’s Christ (stereoscopic work, left component) | 1978 | |||
Gala’s Christ (stereoscopic work, right component) | 1978 | |||
The Harmony of the Spheres | 1978 | |||
Landscape Near Ampurdan | 1978 | |||
Pierrot Lunaire (stereoscopic work, unfinished) | 1978 | |||
A postage stamp designed by Dali for the French mail | 1978 | |||
Stereoscopic Composition, Based on Millet’s «Angelus» (unfinished) | 1978 | |||
Stereoscopic Composition, Based on Millet’s «Angelus» (unfinished) | 1978 | |||
Study for The Harmony of the Spheres | 1978 | |||
Woman with Egg and Arrows | 1978 | |||
Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, left component) | 1979-80 | |||
Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, right component) | 1979-80 | |||
Battle in the Clouds (stereoscopic work, left component) | 1979 | |||
Battle in the Clouds (stereoscopic work, right component) | 1979 | |||
Copy of a Rubens Copy of a Leonardo | 1979 | |||
Dawn, Noon, Sunset, and Twilight | 1979 | |||
Gala Bouquet | 1979 | |||
Long Live the Station at Perpignan, Long Live Figueras | 1979 | |||
More Beautiful than Canova | 1979 | |||
Nude and Horse with Metamorphosis (unfinished) | 1979 | |||
Pentagonal Sardana (stereoscopic work, left component) | 1979 | |||
Pentagonal Sardana (stereoscopic work, right component) | 1979 | |||
Phosphene | 1979 | |||
Raphaelesque Hallucination | 1979 | |||
Searching for the Fourth Dimension | 1979 | |||
A Soft Watch Put in the Appropriate Place to Cause a Young Ephebe to Die and Be Resuscitated by Excess of Satisfaction (unfinished) | 1979 | |||
Study for «Compianto Diabele» by Canova (unfinished) | 1979 | |||
Three Graces of Canova (unfinished) | 1979 |
1980—1985
[править | править код]Изображение | Название | Год | Коллекция | Примечание |
---|---|---|---|---|
Arabs | 1980 | |||
Arabs | 1980 | |||
The Cheerful Horse | 1980 | |||
Group Surrounding a Reclining Nude — Velazquez | 1980-81 | |||
Sleeping Young Narcissus | 1980 | |||
Без названия (Bridge with Reflections; sketch for a dual image picture, unfinished) | 1980 | |||
Без названия (Landscape with Celestial Beings) | 1980 | |||
Amphitrite | 1981 | |||
Apparition of the Visage of Aphrodite of Cnide in a Landscape | 1981 | |||
Argus | 1981 | |||
Classic Figure and Head (unfinished) | 1981-82 | |||
The Exterminating Angels | 1981 | |||
Figures (Scene after Goya) | 1981 | |||
Gala in a Patio Watching the Sky, Where the Equestrian Figure of Prince Baltasar Carlos and Several Constellations (All) Appear, after Velazquez | 1981 | |||
The Garden of Hours | 1981 | |||
The Gaseous Swan | 1981 | |||
Great Tapeworm Masturbator, Appears Behind Arcades | 1981 | |||
Hermes | 1981 | |||
Jason Carrying the Golden Fleece (unfinished) | 1981 | |||
Landscape | 1981 | |||
Landscape with Rock in the Shape of a Triumphal Arch | 1981 | |||
Medea or Jason Taking Possession of the Golden Fleece | 1981 | |||
Mercury and Argos | 1981 | |||
The Path of Enigmas (first version) | 1981 | |||
The Path of Enigmas (second version) | 1981 | |||
The Pearl | 1981 | |||
Reading. Family Scene by Lamplight | 1981 | |||
Ready-to-wear Fashion for Next Spring: «Garlands, Nests and Flowers» | 1981 | |||
Seated Figure Contemplating a «Great Tapeworm Masturbator» | 1981 | |||
Spanish Nobleman with a Cross of Brabant on His Jerkin | 1981 | |||
Three Female Figures in Festive Gowns | 1981 | |||
Tower | 1981 | |||
Tower | 1981 | |||
The Tower of Enigmas | 1981 | |||
The Towers | 1981 | |||
Без названия (Female Bust with Draped Cloth) | 1981 | |||
Без названия (Head of a Woman; unfinished) | 1981 | |||
Без названия (Imaginary Landscape at Pubol) | 1981 | |||
Без названия (Skin of a Beach) | 1981 | |||
Woman on a Ram | 1981 | |||
After the Head of «Giuliano di Medici», Florence | 1982 | |||
After Michelangelo’s «Moses», on the Tomb of Julius II in Rome | 1982 | |||
After Michelangelo’s «Squatting Child» | 1982 | |||
Architectural Contortion of El Escorial | 1982 | |||
Atmospherocephalic Figures | 1982 | |||
Don Jose Nieto Velazquez from «Las Meninas» by Velazquez, Musec, Del Prado, Madrid | 1982 | |||
Double Victory of Gaudi | 1982 | |||
El Escorial and Catastrophe-Form Calligraphy | 1982 | |||
Enigma (unfinished version of «The Three Glorious Enigmas of Gala») | 1982 | |||
Exploded Head | 1982 | |||
Figure after Michelangelo’s «Dawn» on the Tomb of Lorenzo di Medici | 1982 | |||
Figure in the Water — After a Drawing by Michelangelo for the «Resurrection of Christ» | 1982 | |||
Figure Inspired by the Adam of the Ceiling of the Sistine Chapel | 1982 | |||
«Giuliano di Medici» by Michelangelo, Seen from Behind | 1982 | |||
Head, after Michelangelo’s, «Giuliano di Medici» | 1982 | |||
Hysterical Venus de Milo | 1982-83 | |||
In the Courtyard of the Escorial, the Silhouette of Sebastian De Morra, in which the Face of Gala, Surrounded by Catastrophic Signs, Appears (stereoscopic work, unfinished) | 1982 | |||
The Infanta Margarita of Velazquez Appearing in the Silhouette of Horsemen in the Courtyard of the Escorial | 1982 | |||
Landscape with Hidden Image of Michelangelo’s «David» | 1982 | |||
Martyr — Inspired by the Sufferings of Dalí in His Illness | 1982 | |||
Mirror Women — Mirror Heads | 1982 | |||
Ole | 1982 | |||
Othello Dreaming Venice | 1982 | |||
Pieta | 1982 | |||
Pieta | 1982 | |||
Rock Figure after the Head of Christ in the «Pieta» of Palestrina by Michelangelo | 1982 | |||
Saint Sebastian | 1982 | |||
Scene in the Courtyard of the Escorial with a Figure in the Foreground Inspired by Michelangelo’s «Evening» on the Tomb of Lorenzo di Medici | 1982 | |||
Sebastian de Morra with Catastrophic Signs (stereoscopic work, unfinished) | 1982 | |||
Study for «Ole» (unfinished) | 1982 | |||
The Three Glorious Enigmas of Gala | 1982 | |||
The Three Glorious Enigmas of Gala (second version) | 1982 | |||
The Tomb of Francesco Pujols | 1982 | |||
Topological Study for «Exploded Head» | 1982 | |||
Без названия (After «The Day» by Michelangelo) | 1982 | |||
Без названия (After «The Night» by Michelangelo) | 1982 | |||
Без названия (Composition — Courtyard of the Escorial with Figure and Sebastian De Morra, Veldzquez’s Dwarf) | 1982 | |||
Без названия (first study for «The Three Glorious Enigmas of Gala») | 1982 | |||
Без названия — Equestrian Figure of Prince Baltasar Carlos, after Velazquez, with Figures in the Courtyard of the Escorial | 1982 | |||
Без названия — Nude Figures after Michelangelo | 1982 | |||
Velazquez and a Figure | 1982 | |||
Velazquez Dying Behind the Window on the Left Side Out of Which a Spoon Projects | 1982 | |||
Warrior | 1982 | |||
Bed and Bedside Table Ferociously Attacking a Cello | 1983 | |||
Bed and Two Bedside Tables Ferociously Attacking a Cello | 1983 | |||
Bed and Two Bedside Tables Ferociously Attacking a Cello | 1983 | |||
Bed and Two Bedside Tables Ferociously Attacking a Cello (Final Stage) | 1983 | |||
Bed and Two Bedside Tables Ferociously Attacking a Cello (last state) | 1983 | |||
Bed, Chair and Bedside Table Ferociously Attacking a Cello | 1983 | |||
Car | 1983 | |||
Cutlet and Match — The Chinese Crab | 1983 | |||
Descent from the Cross of a Cello-Christ | 1983 | |||
Head Inspired by Michelangelo | 1983 | |||
Pieta | 1983 | |||
The Pieta of the Cello-Christ | 1983 | |||
St. George Overpowering a Cello | 1983 | |||
Study for Bed and Two Bedside Tables Ferociously Attacking a Cello | 1983 | |||
Study for Chair and Bedside Table Ferociously Attacking a Cello | 1983 | |||
The Swallowtail | 1983 | |||
Topological Abduction of Europe — Homage to Rene Thom | 1983 | |||
Topological Contortion of a Female Figure | 1983 | |||
Topological Contortion of a Female Figure Becoming a Violoncello | 1983 | |||
Torre Galatea | 1983 | |||
The Truck (We’ll be arriving later, about five o’clock) | 1983 | |||
Без названия (Figures, Pieta, Catastrophic Signs) | 1983 | |||
Без названия — Head of a Spanish Nobleman, Fashioned by the Catastrophe Model from a Swallow’s Tail and Two Halves of a Cello | 1983 | |||
Без названия — Series on Catastrophes | 1983 | |||
Warrior Mounted on an Elephant Overpowering a Cello | 1983 | |||
Alice in Wonderland | 1984 | |||
Hommage a Terpsichord (La Danse) | 1984 | |||
Profile du Temps | 1984 | |||
The Profile of Time | 1984 | |||
«Bracceli» the Warrior with a Corpse — Torero Series | 1985 | |||
Head of Europa — Torero Series | 1985 | |||
Interpretation of Goya’s Los Caprichos | 1985 | |||
Six Designs of Playing Cards, The Joker | 1985 | |||
Two Phoenixes in Combat — Torero Series | 1985 |
Другие работы
[править | править код]Книги
[править | править код]- Завоевание иррационального (1935)
- Тайная жизнь Сальвадора Дали, написанная им самим (1942)
- Сокрытые Лица (1944)
- Illustrations for Macbeth (1946)
- 50 магических секретов мастерства (1948)
- Дневник одного гения (1963)
- Открытое письмо Сальвадору Дали (1967)
- Le Diners De Gala (1973)
- Неописуемые откровения Сальвадора Дали (1976)
Сценарии
[править | править код]- Золотой век (1930)
- Giraffes on Horseback Salad (1937)
- Babaouo (2000)
Фильмы
[править | править код]- Андалузский пёс (1929)
Анимационные работы
[править | править код]- 2003 Destino
Дизайн логотипов
[править | править код]Примечания
[править | править код]- ↑ All Works of Salvador Dali . Дата обращения: 2009. Архивировано из оригинала 29 июля 2009 года.
Ссылки
[править | править код]- Список работ Сальвадора Дали (англ.)